leafmold paradise

Caroline Achaintre, Julia Bennett, Mary Herbert, Aya Higuchi, Shana Hoehn, Koak and Hikari Ono

  1. Press release


15 West Central St

Preview: 1 March 2024, 6–8pm

Throughout the evening we will be serving tiny glasses of 'Terroir', a distillation of clay, flint and lichen by Untitled Drinks

I won't tell you where the place is, the dark mesh of the woods⁠
meeting the unmarked strip of light—⁠
ghost-ridden crossroads, leafmold paradise

Excerpt from What Kind of Times Are These (1991), Adrienne Rich

Download and listen to the press release, a recording of Adrienne Rich's 'What Kind of Times Are These' (1991), read by the author, and Philip Stopford's Lully, Lulla, Lullay (2008), mixed by Charlotte Adlard.⁠

'leafmold paradise', 2024, installation view, Union Pacific

'leafmold paradise', 2024, installation view, Union Pacific

Koak, Rouge, 2024, graphite, pastel, and casein on rag paper, 21.6 x 16.5 cm

Hikari Ono (from left), Object for Painting No. 116, 2024, clay, 14.5 x 12 x 6.5 cm, Object for Painting No. 109, 2023, clay, 13 x 11 x 6 cm, Object for Painting No. 97, 2023, clay, 11.5 x 10 x 3.5

'leafmold paradise', 2024, installation view, Union Pacific

'leafmold paradise', 2024, installation view, Union Pacific

Mary Herbert, Centuries, 2024, oil on linen, 170 x 80 cm

Koak, Finch, 2024, graphite, pastel, charcoal, ink, and casein on rag paper, 21.6 x 16.5 cm

Julia Bennett, All Flesh is Grass, 2023, wild clay, oil paint on dust sheet, 25 x 20 cm

Koak, The Anchor, 2024, graphite, pastel, charcoal, and casein on rag paper, 21.6 x 16.5 cm

Aya Higuchi, Sparrow in the fog, 2023, oil on canvas, 140 x 180 mm

Julia Bennett, Death is not always an end, 2023, oil on woven Washingtonia filifera (Fan Palm) leaves, 28 x 43 cm

Koak, Celeste, 2024, graphite, pastel, and casein on rag paper, 16.5 x 21.6 cm

Aya Higuchi, Tulips, 2024, oil on canvas, 333 x 242 mm

Caroline Achaintre, Auto-Nomne, 2024, hand-tufted wool, metal frame, 270 x 239 cm

Mary Herbert, Sea Change, 2023-24, oil on linen, 41 x 36 cm

'leafmold paradise', 2024, installation view, Union Pacific

'leafmold paradise', 2024, installation view, Union Pacific

Julia Bennett, The apocalypse is always with us, 2023, oil and clay on woven canvas and satin, 28 x 43 cm

'leafmold paradise', 2024, installation view, Union Pacific

Koak, Bird's Eye, 2024, graphite, pastel, and casein on rag paper, 21.6 x 16.5 cm

'leafmold paradise', 2024, installation view, Union Pacific

Shana Hoehn, Breast Bracket #9 with Rebar and Cattails, 2023, aluminum with patina, brass cattails with paint, rebar, 101 cm x 18 cm x 45 cm

'leafmold paradise', 2024, installation view, Union Pacific

Aya Higuchi, In the mountain wind, 2023, oil on canvas, 333 x 242 mm

Koak, Longest Hour, 2024, graphite, pastel, charcoal, ink, and casein on rag paper, 21.6 x 16.5 cm